The hour of eleven had been designated by the chief burgess as a suitable, appropriate time for a gathering of borough officials, prominent business men, the clergy, representatives of patriotic organizations, and war casualties already home. The chosen place was around the new flagpole in front of the borough hall, where there was a large signboard on which was painted a list, as nearly as complete as could be, of the names of the Port Johnson men and women in the Army, Navy, and Marine Corps, and the two men who had gone to serve with the American Red Cross and the Y.M.C.A. There was no way to announce the ceremony in such a short time as there would have been twenty years later when Port Johnson had its own radio station, but the Port Johnson Silver Cornet Band had been notified and its music would attract citizens.
At ten-thirty the members of the band, most of them in uniform but a few wearing only jacket and cap above their work pants, took their places at one side of the flagpole and began playing a medley of recent and old tunes: "Where Do We Go From Here, Boys?"; "The Old Grey Mare"; "Over There"; "Keep the Home Fires Burning"; "K-K-K-Katy"; "The Battle Hymn of the Republic"; "Tenting Tonight"; "Oui, Oui, Marie": "Oh, How I Hate to Get Up in the Morning"; "The Rose of No Man's Land"; and a reprise of "Over There," after which the short concert was temporary halted to make way for oratory.
It was, as Chief Brophy had said, a good-natured crowd. It was, in fact, unique for Port Johnson as all the other crowds in all the other towns of the nation were unique: it was happy and gay, universally friendly, but unlike any of the usual celebrating crowds - New Year's Eve, firemen's conventions, alumni reunions, family picnics - it was always ready to change from gayety to an unforced solemnity . . . on that morning in 1918 the citizens joined together in victory and release, united by joy and grateful enough to be willing to listen to words of prayer and earnest consideration of sterner ideals. They dropped their heads when told to do so, they were respectful to the other fellow's preacher, they applauded the names of Wilson and Pershing and Foch . . . and laughed with scorn but without the recent loathing at the mentions of Kaiser Bill.
With the playing of "America" the formal ceremonies were concluded and the band then broke into a brisk "Old Grey Mare" and marched away . . .
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From the Terrace (1958)
Submitted by Robert G. Saliba
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