LOA Befriends Pal Joey
By JAMES MacDONALD
Exeter, England
The Library of America has just published John O'Hara's libretto for Pal Joey in a two-volume collection called American Musicals, edited by Laurence Maslon.
I'm delighted, having waited for it for more than fifty years. I was afraid Wilie O'Hara Dalaney, O'Hara's daughter, was going to give the rights to the Richard Greenberg rewrite; but it's the real thing, all right. It also marks O'Hara's first appearance in LOA.
Incidentally, I read John Updike's New Yorker review of The Art of Burning Bridges. A terrific corrective of O'Hara's taciturn image, as well as of his feud with Brendan Gill. Apparently the break with the magazine had little to do with Gill's A Rage to Live review; O'Hara asked to be paid for stories the magazine rejected.
Mr. New Yorker
By RICHARD CARREÑO
[WritersClearinghouse News Service]
Brendan Gill was ten years younger than O'Hara, but his level of production -- sheer wattage in words contributed to The New Yorker -- probably exceeded John O'Hara's output. Gill wrote fiction, drama, film, and architecture reviews, comment, and profiles. Short of Harold Ross and William Shawn, Gill was 'Mr. New Yorker.' That distinction wasn't lost on O'Hara; it was probably enough to put him on O'Hara's very long enemies list.
Putting O'Hara's enmity over the top was Gill's negative of review in The New Yorker of O'Hara's blockbuster, A Rage to Live. Their relationship was already testy. Gill wore his Irish gently. O'Hara did not. Gill's Yale education and Scull & Bones membership came to him naturally. O'Hara was always striving for Ivy-covered totems and Establishment acceptance.